{"id":909,"date":"2019-05-09T21:38:20","date_gmt":"2019-05-09T20:38:20","guid":{"rendered":"http:\/\/michaeldossow.de\/?page_id=909"},"modified":"2019-05-10T11:02:47","modified_gmt":"2019-05-10T10:02:47","slug":"programm-2019","status":"publish","type":"page","link":"https:\/\/michaeldossow.de\/?page_id=909","title":{"rendered":"Programm 2019"},"content":{"rendered":"<p><strong>Programm 2019<\/strong><\/p>\n<p>J.S.Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pr\u00e4ludium D-Dur<br \/>(1685 &#8211; 1750)<\/p>\n<p>Heitor Villa-Lobos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pr\u00e9lude Nr. 3<br \/>(1887 &#8211; 1959)<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2014\u2014\u2014\u2014-<\/p>\n<p>J.S.Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Air<\/p>\n<p>John Dowland* \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Fantasie<br \/>(1562 &#8211; 1626)<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2014\u2014\u2014\u2014-<\/p>\n<p>J.S.Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sarabande<\/p>\n<p>Heitor-Villa-Lobos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pr\u00e9lude Nr. 4<\/p>\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u2014\u2014\u2014\u2014-<\/p>\n<p>J. S. Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Jesu bleibet meine Freude<\/p>\n<p><\/p>\n<h4>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 P A U S E<\/h4>\n<p><\/p>\n<p>Fernando Sor** \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nr. 16<br \/>(1778 &#8211; 1839) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nr. 19, Andantino<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nr. 25, Andante cantabile<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(aus den Et\u00fcden op.60)<\/p>\n<p>Fernando Sor \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cinqui\u00e8me Fantasie avec des Variations sur l\u00b4air<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 de\u00a0Paisiello, op. 16<br \/><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nel cor pi\u00f9 non mi sento<\/em><br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Thema &#8211; Andante cantabile\u00a01. Variation, <br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a02. Variation, 3. Variation, 5. Variation &#8211;<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Tempo primo,\u00a06. Variation &#8211; Minore,<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a09. Variation und Coda<\/p>\n<p>Heitor Villa-Lobos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cinq Pr\u00e9ludes<br \/>(1887 &#8211; 1959) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 1, e-moll<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 2, E-dur<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 5, D-Dur<\/p>\n<p><strong>Gitarren:<\/strong><br \/>Konzertgitarre &#8211; Stefan Zander 2016<br \/>* Terzgitarre &#8211; Michael Dossow \u00a01982 (Model Hannabach)<br \/>** Klassikgitarre &#8211; Nelles, Paris ca 1840<\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programm 2019 J.S.Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Pr\u00e4ludium D-Dur(1685 &#8211; 1750) Heitor Villa-Lobos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pr\u00e9lude Nr. 3(1887 &#8211; 1959)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":194,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-909","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=909"}],"version-history":[{"count":57,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/909\/revisions"}],"predecessor-version":[{"id":983,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/909\/revisions\/983"}],"up":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/194"}],"wp:attachment":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}