{"id":392,"date":"2018-02-08T08:57:09","date_gmt":"2018-02-08T08:57:09","guid":{"rendered":"http:\/\/md.allegro-ma-non-troppo.de\/?page_id=392"},"modified":"2018-02-08T14:06:11","modified_gmt":"2018-02-08T14:06:11","slug":"programm-2017","status":"publish","type":"page","link":"https:\/\/michaeldossow.de\/?page_id=392","title":{"rendered":"Programm 2017"},"content":{"rendered":"<p><span>Francesco T\u00e1rrega \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sue\u00f1o<br \/>\n<\/span><span>(1852 &#8211; 1909)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mazurka<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Capricho \u00c1rabe<\/span><\/p>\n<p><span>John Dowland<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Frog Galliarde<br \/>\n<\/span><span>(1562 &#8211; 16 26)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Melancholy Galliarde<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sir John Smith his Allemaine<span class=\"Apple-tab-span\"> <\/span>\u00a0<\/span><\/p>\n<p><span>Benjamin Britten<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Variation Nr. 8 Passacaglia und Thema<br \/>\n<\/span>(1913 &#8211; 1976)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(Aus dem Nocturnal after John Dowland, Op. 70)<\/p>\n<p><span>Heitor Villa-Lobos<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Mazurka Ch\u00f4ro<br \/>\n<\/span><span>(1887 &#8211; 1959)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Schottish Ch\u00f4ro<span class=\"Apple-tab-span\"> <\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><span>Johann Sebastian Bach<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Pr\u00e4ludium, Fuge und Allegro<br \/>\n<\/span>(1685 &#8211; 1750)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0(BWV\u00a0 998)<\/p>\n<p><span>Fernando Sor<span class=\"Apple-tab-span\"> <\/span>Nr. 16<br \/>\n<\/span><span>(1778 &#8211; 1839)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Allegretto, Nr. 21<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Andantino, Nr. 19<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Andante cantabile, Nr. 25<br \/>\n(aus den Et\u00fcden op. 60)<\/span><\/p>\n<p><span>Heitor Villa-Lobos<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pr\u00e9lude Nr. 5<br \/>\nP<\/span>r\u00e9lude Nr. 2<\/p>\n<p>&nbsp;<\/p>\n<p><span>Michael Dossow spielt auf einer modernen Konzertgitarre von Stefan Zander (2016), einer 8-saitigen Konzertgitarre von Michael Dossow (1982)<span class=\"Apple-tab-span\"> <\/span> und einem Nachbau (Michael Dossow 1986) einer Hammich Gitarre aus Mark Neukirchen 1834.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Francesco T\u00e1rrega \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Sue\u00f1o (1852 &#8211; 1909) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mazurka \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Capricho \u00c1rabe [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-392","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=392"}],"version-history":[{"count":4,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/392\/revisions"}],"predecessor-version":[{"id":400,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/392\/revisions\/400"}],"wp:attachment":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}