{"id":195,"date":"2018-02-07T06:04:25","date_gmt":"2018-02-07T06:04:25","guid":{"rendered":"http:\/\/md.allegro-ma-non-troppo.de\/?page_id=195"},"modified":"2018-02-24T14:20:53","modified_gmt":"2018-02-24T13:20:53","slug":"programm-2018","status":"publish","type":"page","link":"https:\/\/michaeldossow.de\/?page_id=195","title":{"rendered":"Programm 2018"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span>J.S.Bach<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Pr\u00e4ludium D-Dur<br \/>\n<\/span><span>(1685 &#8211; 1750)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Jesu bleibet meine Freude<\/span><\/p>\n<p><span>Fernando Sor<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 16<br \/>\n<\/span><span>(1778 &#8211; 1839)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Allegretto, Nr. 21<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Andantino, Nr. 19<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Andante cantabile, Nr. 25<br \/>\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(aus den Et\u00fcden op.60)<\/p>\n<p><span>Fernando Sor \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<span class=\"Apple-tab-span\"> <\/span>Cinqui\u00e8me Fantasie avec Variations sur l\u00b4air de Paisiello<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Nel cor pi\u00f9 non mi sento, op. 16<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><span><br \/>\nJohn Dowland<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0The Frog Galliarde<br \/>\n<\/span><span>(1562 &#8211; 1626)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><span>Melancholy Galliarde<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Sir John Smith his Allemaine<\/span><\/p>\n<p><span>Francesco T\u00e1rrega<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0Sue\u00f1o<br \/>\n<\/span><span>(1852 &#8211; 1909)<span class=\"Apple-tab-span\"> <\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><span>Mazurka<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Capricho \u00c1rabe<\/span><\/p>\n<p><span>Heitor Villa-Lobos \u00a0 \u00a0<span class=\"Apple-tab-span\"> <\/span>\u00a0\u00a0Cinq Pr\u00e9ludes<br \/>\n<\/span><span>(1887 &#8211; 1959) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<span class=\"Apple-tab-span\"> <\/span>Nr. 1, e-moll<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 2, E-dur<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 3, a-moll<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 4, e-moll<br \/>\n<\/span><span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 5, D-Dur<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span>Michael Dossow spielt auf einer modernen Konzertgitarre von Stefan Zander (2016), einer 8-saitigen Konzertgitarre von Michael Dossow (1982)<span class=\"Apple-tab-span\"> <\/span> und einem Nachbau (Michael Dossow 1986) einer Hammich Gitarre aus Mark Neukirchen 1834.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; J.S.Bach \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Pr\u00e4ludium D-Dur (1685 &#8211; 1750) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Jesu bleibet meine Freude Fernando Sor \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Nr. 16 (1778 &#8211; 1839) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Allegretto, Nr. 21 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-195","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=195"}],"version-history":[{"count":16,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/195\/revisions"}],"predecessor-version":[{"id":838,"href":"https:\/\/michaeldossow.de\/index.php?rest_route=\/wp\/v2\/pages\/195\/revisions\/838"}],"wp:attachment":[{"href":"https:\/\/michaeldossow.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}